Discover the best of our previous editions
We capture moments of joy. Musical encounters full of energy, in a pleasant atmosphere, open to everyone.
We capture moments of joy. Musical encounters full of energy, in a pleasant atmosphere, open to everyone.
We capture moments of joy. Musical encounters full of energy, in a pleasant atmosphere, open to everyone.
Un lieu d’accueil à toute expression artistique et à tout public souhaitant partager un moment de joie et de dégustation au pied des remparts médiévaux de la ville bourguignonne d’Avallon.
Entrée et participation libre
Professional songwriter, singer, actor, slammer, group leader or solo artist sharing? Guillaume Allardi escapes the labels, his singing rubs shoulders with folk music with a fine and strong opening to the world.
To the nomads, peasants, exiles, recluse, repentant, anonymous and invisible people who populate the diagonals of emptiness, embrace lost causes, camp in wetlands and taste the silence of the forests.
An earthy music, made of wood, skins, breaths, strings and hair, nourished by traditional influences that criss-cross time and borders, where medieval, oriental, Irish, Spanish or American sounds are intermingled. Glad is often accompanied by Didier Bouchet, on double bass and bass, with whom he undertakes a new project with the trio “THE HOLLOW” focused on the blues, with Jean-François Noyon on drums.
Professional songwriter, singer, actor, slammer, group leader or solo artist sharing? Guillaume Allardi escapes the labels, his singing rubs shoulders with folk music with a fine and strong opening to the world.
To the nomads, peasants, exiles, recluse, repentant, anonymous and invisible people who populate the diagonals of emptiness, embrace lost causes, camp in wetlands and taste the silence of the forests.
An earthy music, made of wood, skins, breaths, strings and hair, nourished by traditional influences that criss-cross time and borders, where medieval, oriental, Irish, Spanish or American sounds are intermingled. Glad is often accompanied by Didier Bouchet, on double bass and bass, with whom he undertakes a new project with the trio “THE HOLLOW” focused on the blues, with Jean-François Noyon on drums.
A rare voice, without artifice, deep, that whispers in our ears troubling words about the faults of the soul. A singular artist who has everything of a hidden treasure in the French musical landscape, while her career has been intriguing since the end of the 2000s with the trip hop duo Time Factory.
In 2011 with ” La route ” her first album followed by ” Sentimental Système D ” (2013), both mixed by Steve Prestage. ” Balades électriques ” (2017) mixed by Clive Martin only confirms the birth of a raw gem with his hoarse voice.
Composed between Pigalle and the family refuge in Burgundy, this record arranged by Fred Perriot and mixed by Fabien Martin (Emilie Marsh, Robi) is a burst of electronic pop in the heart that overwhelms by the burning intimacy of its melodies. The bias is radical, the rhythm boxes rubbing against the velvet of the bass, a dark pop without any precious filter like a stubborn flame in the dark night.
A rare voice, without artifice, deep, that whispers in our ears troubling words about the faults of the soul. A singular artist who has everything of a hidden treasure in the French musical landscape, while her career has been intriguing since the end of the 2000s with the trip hop duo Time Factory.
In 2011 with ” La route ” her first album followed by ” Sentimental Système D ” (2013), both mixed by Steve Prestage. ” Balades électriques ” (2017) mixed by Clive Martin only confirms the birth of a raw gem with his hoarse voice.
Composed between Pigalle and the family refuge in Burgundy, this record arranged by Fred Perriot and mixed by Fabien Martin (Emilie Marsh, Robi) is a burst of electronic pop in the heart that overwhelms by the burning intimacy of its melodies. The bias is radical, the rhythm boxes rubbing against the velvet of the bass, a dark pop without any precious filter like a stubborn flame in the dark night.
This Philharmonic Society, known as “the Philhar”, 140 years old in 2021, is a harmony orchestra of about 25 musicians. The orchestra’s repertoire is very varied both in terms of styles and periods (classical, jazz, musical comedy, operetta, film music, French and international variety).
Its musicians, amateurs and professionals share the fruit of their work during about fifty meetings per year (between rehearsals and concerts), their friendship, their passion and their will to surpass themselves! And several guest soloists do not miss the meetings such as Jean-Claude Tartour (violin), or Odile Abrell (harp), Pascal Vidaillac (vocals), Pascal Dessein (piano).
This Philharmonic Society, known as “the Philhar”, 140 years old in 2021, is a harmony orchestra of about 25 musicians. The orchestra’s repertoire is very varied both in terms of styles and periods (classical, jazz, musical comedy, operetta, film music, French and international variety).
Its musicians, amateurs and professionals share the fruit of their work during about fifty meetings per year (between rehearsals and concerts), their friendship, their passion and their will to surpass themselves! And several guest soloists do not miss the meetings such as Jean-Claude Tartour (violin), or Odile Abrell (harp), Pascal Vidaillac (vocals), Pascal Dessein (piano).
Exceptionnel cru 2019 des pros de la musique, Pascal Vidaillac (chant) et Pascal Dessein (piano et guitare), qui donne justement envie de redécouvrir ce merveilleux poète « Nougaro, l’hirondelle et nous », est l’occasion pour le spectateur de revisiter quelques grands standards, de découvrir de véritables perles et de prendre plaisir à partager la savoureuse obsession textuelle du grand poète occitan !
Ce spectacle soutenu par Hélène Nougaro ravira autant les fans que ceux dont le nom de Nougaro est inconnu… Attention, ce spectacle est bien plus qu’un récital : la musique et le jeu se mêlent, la note vit avec le mot et le public est invité à une nouvelle lecture de l’œuvre du maître. Qu’ils traduisent la nostalgie, qu’ils soutiennent le rythme ou qu’ils soulignent l’humour du propos, les arrangements et la mise en scène titillent eux aussi les sens (de la vie).
Exceptionnel cru 2019 des pros de la musique, Pascal Vidaillac (chant) et Pascal Dessein (piano et guitare), qui donne justement envie de redécouvrir ce merveilleux poète « Nougaro, l’hirondelle et nous », est l’occasion pour le spectateur de revisiter quelques grands standards, de découvrir de véritables perles et de prendre plaisir à partager la savoureuse obsession textuelle du grand poète occitan !
Ce spectacle soutenu par Hélène Nougaro ravira autant les fans que ceux dont le nom de Nougaro est inconnu… Attention, ce spectacle est bien plus qu’un récital : la musique et le jeu se mêlent, la note vit avec le mot et le public est invité à une nouvelle lecture de l’œuvre du maître. Qu’ils traduisent la nostalgie, qu’ils soutiennent le rythme ou qu’ils soulignent l’humour du propos, les arrangements et la mise en scène titillent eux aussi les sens (de la vie).
Exceptionnel cru 2019 des pros de la musique, Pascal Vidaillac (chant) et Pascal Dessein (piano et guitare), qui donne justement envie de redécouvrir ce merveilleux poète « Nougaro, l’hirondelle et nous », est l’occasion pour le spectateur de revisiter quelques grands standards, de découvrir de véritables perles et de prendre plaisir à partager la savoureuse obsession textuelle du grand poète occitan !
Ce spectacle soutenu par Hélène Nougaro ravira autant les fans que ceux dont le nom de Nougaro est inconnu… Attention, ce spectacle est bien plus qu’un récital : la musique et le jeu se mêlent, la note vit avec le mot et le public est invité à une nouvelle lecture de l’œuvre du maître. Qu’ils traduisent la nostalgie, qu’ils soutiennent le rythme ou qu’ils soulignent l’humour du propos, les arrangements et la mise en scène titillent eux aussi les sens (de la vie).
These four musicians, all music professionals, Jean-Pierre Pradères (guitar), Polixène (vocals, guitar, percussion), Alain Bulon (guitar, percussion) and Alain Prost (electric double bass), only play bossa nova!
The uninitiated were no doubt surprised at first listening, but were soon taken by this music that transports us to the heart of Brazil in Rio de Janeiro, the city where it was born in 1958 (Chéga de saudade: composed by Antonio Carlos Jobim and popularized by Joao Gilberto). To consume without moderation. SARAVAH O GENTE !! Saravah, a popular Brazilian expression of African origin whose translation is “blessed are you” O GENTE: The public at large.
So ” SARAVAH O GENTE ” and see you soon !
These four musicians, all music professionals, Jean-Pierre Pradères (guitar), Polixène (vocals, guitar, percussion), Alain Bulon (guitar, percussion) and Alain Prost (electric double bass), only play bossa nova!
The uninitiated were no doubt surprised at first listening, but were soon taken by this music that transports us to the heart of Brazil in Rio de Janeiro, the city where it was born in 1958 (Chéga de saudade: composed by Antonio Carlos Jobim and popularized by Joao Gilberto). To consume without moderation. SARAVAH O GENTE !! Saravah, a popular Brazilian expression of African origin whose translation is “blessed are you” O GENTE: The public at large.
So ” SARAVAH O GENTE ” and see you soon !
For Jean-Claude Tartour, the Avallonais is a region attached to his heart and he plays there in front of his mother because of his family roots; a perfect opportunity to try his hand at tango, milongas and waltzes at the Terrasses du Bel Air (“del Buen Aire”) with two other renowned specialists: Mathieu Gautron and Pablo Murgier.
Jean-Claude plays on a 1740 Genoese violin in France and abroad, as a soloist with several orchestras and chamber groups, having collaborated on stage and recorded with Enrico Macias, Khaled, Cali, and introduced to the violin more than a hundred students per year. In Prague, Mathieu discovers the genre tango and the bandoneon. Never giving up this instrument, a disciple of Juanjo Mosalini, he performs in the Orquesta Típica, La Gossa and the Osvaldo Carné trio. Pablo, Argentinean pianist at the head of his Sexteto Murgier, wins the prize of the 1st World Tango Orchestras, following his album “Muy Lejos”.
For Jean-Claude Tartour, the Avallonais is a region attached to his heart and he plays there in front of his mother because of his family roots; a perfect opportunity to try his hand at tango, milongas and waltzes at the Terrasses du Bel Air (“del Buen Aire”) with two other renowned specialists: Mathieu Gautron and Pablo Murgier.
Jean-Claude plays on a 1740 Genoese violin in France and abroad, as a soloist with several orchestras and chamber groups, having collaborated on stage and recorded with Enrico Macias, Khaled, Cali, and introduced to the violin more than a hundred students per year. In Prague, Mathieu discovers the genre tango and the bandoneon. Never giving up this instrument, a disciple of Juanjo Mosalini, he performs in the Orquesta Típica, La Gossa and the Osvaldo Carné trio. Pablo, Argentinean pianist at the head of his Sexteto Murgier, wins the prize of the 1st World Tango Orchestras, following his album “Muy Lejos”.
This show is part of the celebration of the 30th anniversary of the Association Traverses aux Terrasses du Bel Air from June 14th to 16th. This Avallonnaise formation, initially named CAROLITA and renewed since its foundation in 2000, is entirely in accordance with a defined style and the sensitivity of its members: Philippe (seventies guitar), Bertrand (bass), Christian (sixties guitar), Max (drums), Thierry (vocals). The choice of covers as in the formatting of the compositions, the repertoire is generally Blues Rock Country. ACDC, Led Zep, Stones, Lynyrd Skynyrd, Doobie Brothers, The Who, Bryan Adams, Eagles, Crosby Stills and Nash, Sheryl Crow or Cabrel…as many influences and diversity, warmth and feeling of the 70’s that animate them! These “brothers” are a great team of rockers, with a “big sound” and the excitement of their 20 years of age, which is already far away!
This show is part of the celebration of the 30th anniversary of the Association Traverses aux Terrasses du Bel Air from June 14th to 16th. This Avallonnaise formation, initially named CAROLITA and renewed since its foundation in 2000, is entirely in accordance with a defined style and the sensitivity of its members: Philippe (seventies guitar), Bertrand (bass), Christian (sixties guitar), Max (drums), Thierry (vocals). The choice of covers as in the formatting of the compositions, the repertoire is generally Blues Rock Country. ACDC, Led Zep, Stones, Lynyrd Skynyrd, Doobie Brothers, The Who, Bryan Adams, Eagles, Crosby Stills and Nash, Sheryl Crow or Cabrel…as many influences and diversity, warmth and feeling of the 70’s that animate them! These “brothers” are a great team of rockers, with a “big sound” and the excitement of their 20 years of age, which is already far away!
COPLIE is the musical anagram of THE POLICE, the hit machine of the 80s led by the singer, composer, bassist and very charismatic STING. THE POLICE invented “white (de) reggae”, and a bit more … a subtle mix of reggae, pop-rock, new-wave, jazz-rock, world and punk! THE COPLIE, a band formed in the Clunisois-Bourgogne du sud at the end of 2013, presents itself as the original trio formation: guitar-bass-drums. Jean-Pierre Gauthier: vocals, guitar, ukulele. Jean-Luc Base: bass, double bass, counterpoint, Jean-Yves Poidevin: drums, percussions. THE COPLIE … not even afraid of THE POLICE !
COPLIE is the musical anagram of THE POLICE, the hit machine of the 80s led by the singer, composer, bassist and very charismatic STING. THE POLICE invented “white (de) reggae”, and a bit more … a subtle mix of reggae, pop-rock, new-wave, jazz-rock, world and punk! THE COPLIE, a band formed in the Clunisois-Bourgogne du sud at the end of 2013, presents itself as the original trio formation: guitar-bass-drums. Jean-Pierre Gauthier: vocals, guitar, ukulele. Jean-Luc Base: bass, double bass, counterpoint, Jean-Yves Poidevin: drums, percussions. THE COPLIE … not even afraid of THE POLICE !
Funk is a musical style born in the United States in the 60s, derived from soul, gospel and jazz. It can be recognized by the melodic riff of the guitar, with the drums and bass having a very compact groove, often accompanied by trumpets, trombones and saxophones, in counter vocals to the melody. Macéo Parker, Earth Wind and Fire, Stevie Wonder…have left their mark in the history of this timeless style, inspiring young artists from the R’n’B’ planet such as Bruno Mars. This year the saxophone ensemble has joined forces with a rhythm section from the current music workshops to offer a resolutely funk programme! This group from the Avallon Conservatory is composed of 6 saxes, 1 clarinet and 1 trombone supported by bass rhythm, keyboards and drums. A pedagogical ensemble, the eleven musicians have taken great pleasure in playing covers by Stevie Wonder, the Jackson Five, Herbie Hancock, Troy Andrews and Bruno Mars.
Funk is a musical style born in the United States in the 60s, derived from soul, gospel and jazz. It can be recognized by the melodic riff of the guitar, with the drums and bass having a very compact groove, often accompanied by trumpets, trombones and saxophones, in counter vocals to the melody. Macéo Parker, Earth Wind and Fire, Stevie Wonder…have left their mark in the history of this timeless style, inspiring young artists from the R’n’B’ planet such as Bruno Mars. This year the saxophone ensemble has joined forces with a rhythm section from the current music workshops to offer a resolutely funk programme! This group from the Avallon Conservatory is composed of 6 saxes, 1 clarinet and 1 trombone supported by bass rhythm, keyboards and drums. A pedagogical ensemble, the eleven musicians have taken great pleasure in playing covers by Stevie Wonder, the Jackson Five, Herbie Hancock, Troy Andrews and Bruno Mars.
Group located in the Quarré-les-Tombes sector. Music is for them a therapy, an escape, a means of expression, a bunch of zany friends who have fun and meet up every Monday to rehearse! Maude and Christa, a Franco-Belgian duo on vocals, Eddy (also Belgian) on bass, Alain on guitar, and Philippe on percussion and accordion, not forgetting their friend Jean Pierre (keyboard) who recently left them.
Group located in the Quarré-les-Tombes sector. Music is for them a therapy, an escape, a means of expression, a bunch of zany friends who have fun and meet up every Monday to rehearse! Maude and Christa, a Franco-Belgian duo on vocals, Eddy (also Belgian) on bass, Alain on guitar, and Philippe on percussion and accordion, not forgetting their friend Jean Pierre (keyboard) who recently left them.
They’re coming back to the Terrasses du Bel Air ! And yes, they came on stage just a year ago with a powerful connection with nearly 200 people who came to see them that night !
They were such a success in their performance that the public is asking for them again ! These six musicians or “Brancardiers” (in French) from Clamecy, Montreal, Saizy, Domecy-sur-le-Vault and Bierry, will make us vibrate with their music, rhythming the steps of the dancers to blues, rock and a very varied repertoire: Reed, Stones, Creedence, Clearwater Revival, Tina Turner, Doors, Pogues, Gallagher, Clapton, Waters, Traffic, Skynird, Free, Whiters, Cocker… Bruno and Sensyâh on vocals, Stéphane on drums, Pascal on rhythm guitar, Jacques on bass, François on lead guitar.
They’re coming back to the Terrasses du Bel Air ! And yes, they came on stage just a year ago with a powerful connection with nearly 200 people who came to see them that night !
They were such a success in their performance that the public is asking for them again ! These six musicians or “Brancardiers” (in French) from Clamecy, Montreal, Saizy, Domecy-sur-le-Vault and Bierry, will make us vibrate with their music, rhythming the steps of the dancers to blues, rock and a very varied repertoire: Reed, Stones, Creedence, Clearwater Revival, Tina Turner, Doors, Pogues, Gallagher, Clapton, Waters, Traffic, Skynird, Free, Whiters, Cocker… Bruno and Sensyâh on vocals, Stéphane on drums, Pascal on rhythm guitar, Jacques on bass, François on lead guitar.